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Pervez Mody Plays Scriabin

Vol. 1

CD 1

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01. Poème Tragique op. 34 in B flat-major               

02. Etude no. 1 from "Trois morceaux" op. 2 

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24 Préludes op 11

03. no. 1 Vivace in C-major             

04. no. 2 Allegretto in a-minor

05. no. 3 Vivo in G-major

06. no. 4 Lento in e-minor

07. no. 5 Andante cantabile in D-major

08. no. 6 Allegro in h-minor

09. no. 7 Allegro assai in A-major

10. no. 8 Allegro agitato in f sharp-minor

11. no. 9 Andantino in E-major

12. no. 10 Andante in c sharp-minor

13. no. 11 Allegro assai in H-major

14. no. 12 Andante in g sharp-minor

15. no. 13 Lento in G flat-major

16. no. 14 Presto in e flat-minor

17. no. 15 Lento in D flat major

18. no. 16 Misterioso in b flat-minor

19. no. 17 Allegretto in A flat-major

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03.36

02.53

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00:55

02:05

00:51

02:03

01:37

00:41

00:59

01:43

01:28

01:15

01:47

01:27

01:22

00:58

01:51

01:40

01:01

20. no. 18 Allegro agitato in f-minor

21. no. 19 Affettuoso in E flat-major

22. no. 20 Appassionato in c-minor

23. no. 21 Andante in B-major

24. no. 22 Lento in g-minor

25. no. 23 Vivo in F-major

26. no. 24 Presto in d-minor

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2 Morceaux op. 9

27. I. Prélude in c sharp-minor

28. II. Nocturne in D flat-major

 

29. Valse op. 38 in A flat-major

 

Deux Poèmes op. 32

30. I. Andante

31. II. Allegro. Con eleganza. Con fiducco

 

Sonata no. 4 op. 30 in F sharp-major

32 I. Andante

33. II. Presstissimo volando (Attacca)

 

34. Poéme "Vers la flamme" op. 72

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00:54

01:20

01:07

01:54

01:11

00:35

00:55

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02:54

05:29

 

06:24

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02:54

01:46

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02:54

05:28

 

05:55

CD 2

 

Poème Tragique op. 34

01. "Gladiator fight"

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Etude no. 1 aus "Trois morceaux" op. 2

02. "The woman and the church bells"

 

24 Préludes op. 11

03. no. 1  "At the seaside"

04. no. 2  "In the mountains"

05. no. 3  "The hunting party"

06. no. 4  "Russian goodbye"

07. no. 5  "The Truth"

08. no. 6  "The battle"

09. no. 7  "Birds in the oncoming storm"

10. no. 8  "Animated questions"

11. no. 9  "Humming a lullaby"

12. no. 10 "Woman crying" 

13. no. 11 "Roller coaster fun"

14. no. 12 "The creepy night"

15. no. 13 "Canoe on the lake"

16. no. 14 "Stormy weather"

17. no. 15 "In the church"

18. no. 16 "Funeral procession"

19. no. 17 "Cats pleading"

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03:46

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02:58

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00:58

02:04

00:53

02:05

01:38

00:43

01:01

01:44

01:30

01:17

01:47

01:28

01:24

01:01

01:56

01:43

01:02

20. no. 18 "The devil is coming"

21. no. 19 "Dolphins playing"

22. no. 20 "The lions"

23. no. 21 "Love poem"

24. no. 22 "The piano bar"

25. no. 23. "The bubbling fountain"

26. no. 24 "Aeroplane take-off"

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Deux Poèmes op. 32

27. I. "Mountain dreams and fantasia"

28. II. "Beach gallop"

           "

Valse op. 38 in A flat-major

29. "Walk in the park"

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2 Morceaux op. 9

30. I. "The Indian poem"      

31. II. "At the lake"

       

Sonata no. 4 op. 30 in F sharp-major

"Flying to the stars"

32. / 33.

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Poème "Vers la flamme" op. 72

34. "The end of the world?"

00:55

01:20

01:08

01:52

01:15

00:37

00:58

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03:20

01:51

 

 

06:26

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02:53

05:35

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02:54

05:29

 

05:58

Press Reviews

 

"PIANO NEWS 04-2010"

"It is no coincidence - and this is clear - that Pervez Mody has made a name for himself with his interpretations of Chopin und primarily Scriabin. ..his clear touch and tone and his brilliant interpretation, which is focused on musical content..."

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"KLASSIK-HEUTE" 

Mody is a very good pianist and a lusty musician: he masters the technical problems with Esprit, his pedaling is pleasingly slim, but most of all he has a very colorful sound spectrum and an imaginative, improvisational approach to Scriabin's inner worlds. Exemplary succeed him especially the early Préludes Op. 11, who are still under the spell of Chopin's predecessor. Mody fills the 24 miniatures with intensity in all dynamic degrees and finds a place for each piece in the wide area between Chopin and Scriabin. Also admirable, as he explains the malicious manual difficulties of the two Morceaux Op. 9 for the left hand alone in free-breathing melos can transform and in the Poème tragique does not lose in a pompous fussing around

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„UNIVERSITAS“

Nr. 6/2010

"What Martha Argerich said about Mody's Scriabin interpretations in general last year also applies to these recordings:

“…I was fascinated by his powerful emotions, the way he conveys the passion, exaltation, the refined erotic and suggestion in Scriabin. He has a deep connection with Scriabin. It was an unforgettable experience!"

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