Sonata no. 1 op. 6 in f-minor​
01. Allegro con fucco
02. without movement title
03. Presto
04. Funebre
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10 Mazurkas op. 3
05. no 1 in h-minor Tempo Giusto
06. no 2 in f sharp-minor Allegretto Non Tanto
07. no 3 in g-minor Allegretto
08. no 4 in E-major Moderato
09. no 5 in d sharp-minor Doloroso
10. no 6 in c sharp-minor Scherzando
11. no 7 in e-minor Con Passione
12. no 8 in b-minor Con Moto
13. no 9 in g sharp-minor
14. no 10 in e flat-minor Sotto Voce
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Sonata no. 9 op. 68 "Black mass"
15. Sonata no 9 op 68 (Black mass)
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10:05
05:46
03:45
05:13
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04:03
02:10
01:49
04:03
03:37
02:08
03:31
02:24
02:36
05:39
​
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08:26
Press Reviews
"AMERICAN RECORDING GUIDE" - Mr. Harrington
"...He is a Pianist to watch for, and I cannot wait for the next volume of Scriabin..."
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"BLACK MASS"
NEUEWESTFÄLISCHE ZEITUNG - (Gans)
„..The manner in which he interpreted the four-movement Sonata No. 1 in F minor, Op. 6 in its dramatic culmination up to the tremors experienced in the funeral march with supreme confidence and the nervous eccentricity of Sonata No. 9 with the title "Black Mass" with sublime technique, but also the transcendental quality which he imparts to a powerful an luscious tone - all this singles out Mody as one of the first Scriabin interpreters of our time."
​ Translated by Shirin Gazder
"INTOXICATING ECSTASY"
Crescendo - (CS)
"...the sonatas no. 1 and no. 9 (Black Mass) as well as the 10 Mazurkas op. 3 are stirring and intoxicating, presented in shimmering colours and with a sense for the polyphonic defragmentation.....Food for Lovers of intoxicating ecstasy..."
Translated by Shirin Gazder
​
KLASSIK-HEUTE.COM 08 / 11
"On the second volume, Pervez Mody also finds an imaginative, highly creative approach to Scriabin. The sonata op. 6, a four-movement monstrosity that begins in a powerful-mezzo-spell-like manner, ultimately leads inexorably towards the impotent agony of the final funeral march. In the certainty of this clear dramaturgical base Mody acts coherent and eloquent. He manages to do a lot of things convincingly: the desperation of the second movement, for example, or the defiant growth of the Presto, which is already showing the first signs of self-destruction. "
Translated by Shirin Gazder
